“It’s Culture, Not Clout” — Toyin Abraham Ajeyemi Defends Kneeling Gesture Amid Backlash

Popular Nollywood actress Toyin Abraham Ajeyemi has responded to criticism over her habit of kneeling to greet elders, insisting the gesture reflects her upbringing and deep-rooted cultural values rather than an attempt to impress.

The controversy followed a viral video from the birthday celebration of former Ogun State governor, Gbenga Daniel, where the actress was seen kneeling to greet billionaire industrialist Razaq Okoya, his wife Shade Okoya, and other senior guests.

The clip sparked mixed reactions online, with some critics describing the act as “abosi,” a Yoruba term often used to imply insincerity or eye service.

In a statement shared on social media on Saturday, Abraham addressed the backlash, expressing concern over what she described as a growing disconnect from cultural traditions. She emphasized that kneeling as a form of greeting is a long-standing practice in Yoruba culture, symbolizing respect and proper upbringing.

“I have seen the various opinions regarding the manner in which I greeted some elders at a recent event. It gives me pause to reflect on when we began to drift from our culture and traditions,” she stated.

Reaffirming her stance, the actress said the practice is central to her identity and something she intends to uphold regardless of public opinion.

“I, Toyin Abraham Ajeyemi, was raised to kneel when greeting those older than me. It is a value deeply rooted in who I am, and one I will continue to uphold with pride,” she added.

She also pledged to pass on these values to younger generations, framing her position as part of a broader effort to preserve Nigeria’s cultural heritage amid changing social norms.

In an earlier response to a fan who advised her to “package” herself differently to avoid disrespect, Abraham maintained her position, stating she would not abandon the gesture for status or public perception.

The debate continues to generate reactions online, highlighting the tension between tradition and modern societal expectations in contemporary Nigerian culture.